Architecture in Cinema

The Belly of an Architect/ 1987

Author(s): Selin Arabulan * .

Pp: 46-55 (10)

DOI: 10.2174/9789815223316124010009

* (Excluding Mailing and Handling)

Abstract

This study aims to analyze the film, The Belly of an Architect, which was presented to the audience in 1987 by director Peter Greenaway, from an architectural point of view. British cinema director Greenaway has an interest in different branches of art such as stage design, painting, and exhibition curation. The Cook, the Thief, His Wife, and Her Lover; The Pillow Book, and The Baby of Macon are among the most popular films of the director. It is followed in the drama, written by the director, that the American architect Stourley Kracklite's process of questioning his wife, career, and life in Rome after being invited to organize an exhibition on behalf of the French neoclassical architect Étienne-Louis Boullée. Boullée lived between 1728-1799 and is famous for his circular forms and buildings where he uses geometry in its pure form. In the film, Rome plays a key role in the formation of the story, not only formally but also narratively. The historical buildings of the city, especially the Pantheon appear as important roles. The “belly”, dome, and circular forms, which are used intensely as the focal point and axis of symmetry, also constitute other roles. Cinematographic readings were made in order to be able to see the flow that the director created in his film, to obtain information, and to analyze the film. It is seen that most of the elements and principles used in art production are common, such as light, color, and composition. From this point of view, the analysis of the film was made on the basis of design elements and principles in general. While the movie is watched, line, form, size, color, light, harmony, contrast, dominance, hierarchy, and most dominantly, symmetry and balance can be observed. These architectural elements can be read both on the architecture, on the axis of vital images, and in the scenario, through the semantic fiction in the film. The film ranks high among the recommended films on social platforms with architectural content. When the instructiveness of reading design elements and principles in different branches of art are evaluated, it is being watched within the scope of undergraduate and graduate level courses in architecture faculty.

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